The Internet Black Pages

When “Welcome To Jamrock” erupted onto airwaves and blew apart iPods halfway through 2005 it came as a shock to some—but not to Damian “Jr Gong” Marley. The song is about the farthest thing from commercial music offerings today—an outraged and unapologetic description of the poverty and “political violence” ravaging his homeland of Jamaica—but “Welcome To Jamrock” hit—and hit hard—because it’s the sound of truth and the result of years of work to bring that truth to light. “I spent a lot of time thinking and this is the fruit of that labor,” explains the youngest child of the musical Marley family.“The song might be a ‘success’ so why be blind to that? But success can’t surprise given the time put into it.”

Jr Gong has been honing his skills—not so quietly—for some time. He made noise early on with 1996’s Mr Marley, and his major label debut Halfway Tree showcased a unique gift for blending hard-hitting reality rhymes and an uncommonly eclectic musicality; with a classic reggae sensibility at its core and run through with streams of hip-hop, r&b and dancehall, the album resonated with urban tastemakers and won a Grammy for Best Reggae Album in 2001. (“A Grammy in reggae is good,” he observes. “But it will be great to see reggae win Album Of The Year…it’s not about one man shut off from the rest of the crabs in the barrel.” So while slow-burners like “It was Written” and “Educated Fools” became club classics, Jr Gong was laying the groundwork for the tracks that would become Welcome To Jamrock—an album that was ultimately several years in the making. Hear the album and you instantly understand it to be the work of a perfectionist; Jr Gong is not focused on overnight success. “Some songs just come. ‘Jamrock’ was like that,” he explains. “But other songs take a lot longer. This is street music, and the streets have to feel it.”